Lenses & Filters

This large aperture telephoto zoom lens is designed exclusively for digital SLR cameras with APS-C size sensors and its compact, lightweight body provides freedom of movement and versatility. The minimum focusing distance of 100cm/39.4in. and the...

3 expert reviews

Sigma launched today a new Four-Thirds system compatible, compact telephoto zoom lens; Sigma APO 135-400mm F4.5-5.6 DG. This telephoto zoom lens gives the equivalent field of view to our popular 800mm when used on Four-Thirds cameras. The very latest...

2 expert reviews

With a crop factor of 1.5x on the *istD cameras, this equates to a field of view similar to 21mm on a 135 format camera and is a little less wide than most of the opposition are achieving at the present time. On top of this, the performance of this...

4 expert reviews

This is Canon's offering in the long, medium telephoto macro area of interchangeable lenses. Long because it is about as long as true Macro lenses go although it is still only a medium telephoto lens in the overall picture. We take a look here at how...

2 expert reviews

A popular lens that that is superficially well built but has a few quirks and an Achilles heel in the bearing problem. It is probably worth buying any extended warranty that is offered with it. If you get a good one it is well worth hanging on to but...

3 expert reviews

This telephoto zoom from the Olympus stable, designed for the 4/3rds mount system equates to a 100-400mm in 35mm terms when you apply the 2x crop factor that the 4/3rd system uses. We take a look at how this optic performs.

2 expert reviews

A built-in lens motor for faster automatic focusing with high torque at low speed, quick start/stop response, and quiet, smooth operation

2 expert reviews

This lens is Nikon's entry into the comparatively new group of superzooms designed exclusively for cropped sensor cameras and carries the DX coding to signify this. We take a look at their efforts, which is the first to carry a stabilising device.

2 expert reviews

Zoom lenses with a ratio of 10:1 or greater have become known as Superzooms and to some are the Holy Grail of interchangeable lenses. The reality is that they need a number of compromises to achieve their range and make a ‘Jack of all Trades' rather...

2 expert reviews

This top end lens from Nikon is another that looks like it requires a pilot's licence to operate it! Bristling with knobs, buttons and switches, it takes a long study just to see them all. But are they of any use? We take a look.

2 expert reviews

As a popular focal length range for purchase as a second lens on cropped sensors, and often offered in twin lens kits, this lens, starts at the point where most standard kit lenses finish and goes out to a good medium telephoto length. We take a look...

2 expert reviews

Distortion ranges from mild barrel at 18mm to near distortion free at 35mm to slight pincushion distortion at 50mm. Colors seem fine - neutral. Some people think this lens produces warm/yellow results, but I am not noticing this. The 7-blade aperture...

2 expert reviews

At the top end of the true Macro range are a group of lenses around the 200mm mark. Giving a good working distance from the lens, we take a look at this offering from Konica Minolta.

2 expert reviews

Minolta, or Konica Minolta as they are now, have a long standing reputation for the quality of their lenses and for the most part this example does not disappoint. Build quality is good and the lens handled well with the exception of the autofocus....

2 expert reviews

Nikon were the first to produce a dedicated ultra wide angle lens for their cropped sensor cameras and they obviously put all their experience of both SLR lenses and wide angle for smaller sensor (Coolpix) lenses to full use. Despite some more recent...

2 expert reviews

This lens is the longest focal length in Nikon's line-up of Macro lenses. Nikon call them Micro, but they do the same job as everybody else's Macro lenses and that is to produce images that are a 1:1 ratio on the film or sensor. Not only is it Nikon's...

2 expert reviews

Although hardly what you could call a budget price, this lens is the most affordable of the 500mm prime lenses that are available. Primes at this sort of focal length are well into the realms of ‘specialist' lenses, so we take a look at what you are...

2 expert reviews

This lens is Nikon's version in the professionally specified and very popular 70-200 range. It incorporates Nikon's own variety of stabilisation, in this case called VR (Vibration Reduction) and, as with other stabilised lenses, there are two modes....

2 expert reviews

This lens provides fairly good optical performance at a very low price. If you really cannot afford the price of a more reputable lens, and you can cope with the Kinder Surprise build quality and slow autofocus, then this lens will do the job. However...

2 expert reviews

What could we write in the summery? If someone needs an ultra wide-angle zoom, fish-eye type and wants to use it on a small APS-C/DX detector, then there is no other choice than the Tokina. In this situation only a huge test failure would convince...

2 expert reviews

The Contax represents a milestone in medium format photography. It garners several world firsts in its design and features, and has a high quality of construction.

3 expert reviews